Noise/Crush

Showing posts with label Night School Records. Show all posts
Showing posts with label Night School Records. Show all posts

18 March 2013

SNH Interviews...DIVORCE


Ahead of their European Tour which starts today, and in particular, their London date which we host tomorrow, we caught up with the crazy antics of Glaswegian noiseniks Divorce. Prepare yourself...
Photo by Stella Wan -http://www.stella-wan.com/
You guys are on tour again! Excited? Nervous?

Both!

Three weeks is a bit of a slog, and you guys are getting around a bit. Any particular coping strategies to yourselves from cabin fever and killing each other?

Lots of books about serial killers, so we can get tips on how to kill each other. 

Who officially has the worst tour habits? I’ve seen the odd poop pics floating about but don’t want to point the finger.

That picture was photoshopped... aye! We're all exceptionally clean and hygenic, regardless of what you've been told!

You’re releasing a re-packaged version of your debut album via Night School Recs, and brand new tracks on there we can look forward to?

They're not brand new, they're all the songs we released on 7"s and EPs in 2011 and 2012. Neither the album nor those tracks had been released on CD before so we thought it'd get that dealt with in one go. We were initially reticent about releasing anything on CD but after a while we felt we were being a bit sniffy... not everybody has a record player and we were getting requests for the music to come out on that format, which is nice. It also kinda nicely documents everything we've done in the last couple of years.


Any particular place from the last tour you guys dying to play again on this tour?

There's very few places we're returning to, at least to the specific venues, but Kafe Kult in Munich is a fantastic place, it's on the grounds of an ex-WWII army hospital I believe, has a pretty spooky atmosphere... we'll be staying there overnight again too, so that should be entertaining! Wharf Chambers in Leeds is a fantastic co-operative-run space... playing in Berlin again will be great too. I'm mostly excited about the cities we've never played in yet like Paris, Vienna and Amsterdam, on my birthday... oh dear!


Promoter wise, mainland Europe vs UK, who comes out on top? Are there any significant differences?

To have asked the question I think you know the answer already...! Europe trumps the UK in every way; you get well fed, accommodated really well, lots of booze and you get paid..! But there's many reasons why promoters in Europe are able to fulfill this criteria, be it government funding, more understanding venues or whatever. I've found that in the main DIY promoters in the UK do the absolute best they can possibly do under the circumstances, and besides you still get shitty promoters on each side of the channel. We're an understanding band and appreciate all the effort any promoter makes when they put us on, we're just happy they want to book us at all!


Glasgow by far and away has my favourite music scene. Any new Glasgow based bands we need to know about?

Aye, there's a handful of good bands that have appeared recently, one is RUNGS (http://rungs.bandcamp.com), formed by 3/4s of the late, great Take A Worm For A Walk Week (http://takeawormforawalkweek.bandcamp.com/), excellent unhinged noisy stuff with some pretty manky lyrics! Hillary and Joan from Aggi Doom (https://www.facebook.com/pages/Aggi-Doom/214199281971011) have started another great band called Seconds (https://www.facebook.com/secondsglasgow) and Sinead from Palms (https://www.facebook.com/palmstopalm) has another awesome band called World Peace (https://www.facebook.com/pages/World-Peace/486389594728564). Also Laurie and Ollie from our bros Ultimate Thrush (http://ultimatethrush.wordpress.com/) have teamed up with electronic duo Silk Cut and formed Golden Teacher and just released a stunning 12" on Optimo Music (http://www.optimomusic.com/releases/golden-teacher-dante-and-pilgrim).







So, with the re-release of the debut and this massive tour, does this mean you guys will be working on a new album when you come back off tour?

I hope so. We've been writing pretty solidly since we released the last one, so we've built up a handful of new tracks. We intend to play a few of them on this tour to get them as tight as possible, then get to the studio and blast them out, no messin.

What can Londoners expect on the 19th March?

Tinnitus!

So there it is folks, we'll see you tomorrow at the show. Divorce's debut album is out now on Night School Recs, buy it from the following links!  VINYL: http://bit.ly/NcHGuT // DIGITAL: http://bit.ly/xLdqQW

4 February 2013

February Makes a Bridge - 16/02/13



'February Makes A Bridge' is a double record label showcase uniting Upset The Rhythm with Night School in the aim of taking the DIY concert out of it's expected parameters and into interesting new pastures to enhance the potency of the music and its effect on the audience. 

Taking it's name from one of George Herbert's proverbs, 'February Makes A Bridge' not only signifies a coming together to leap into the sunshine of the new year, it also attempts to link the event with its setting, The Yard Theatre. The Yard Theatre is a newly built raked amphitheatre in the Elizabethan style constructed in a once dormant warehouse in Queen's Yard, Hackney Wick. Herbert was born during the reign of 'The Virgin Queen' and we can hear his February echo in this building, with this event.

'February Makes A Bridge' will take place on Saturday 16 February from 1pm - 11pm at The Yard Theatre.

The full address for the event is The Yard Theatre, Unit 2, Queen's Yard, Hackney Wick, E9 5EN

Tickets cost £7 and are available here: http://www.wegottickets.com/event/200040

Performing at this special one off event are the following acts affiliated with Night School and Upset The Rhythm:


GOLDEN GRRRLS
Roughed-up, winsome, noise-inflected perfect pop.



TRASH KIT
Face-painted flag-bearers with a wild feel for melody and a heartfelt kick inside each song.



WAY THROUGH
Land-locked pastoral punk, informed as much by the field as the fly-over.



APOSTILLE
Electro-ecstatic keyboard quests, distorted handclaps and vocal incantation.




HALO HALO
Hyper melodic Sinawi pop vibes shot through with clattering technicolour.



PEEPHOLES
Cloaked anthems of primal beats, hallucinatory vocals and synth euphoria.



BOMBER JACKETS
Minimal versus mundane synth-damaged realists.



PACO SALA
Opiated rhythms, spiralling harmony and the pervading sense of a tender isolationism.



EDIBLE ARRANGEMENTS
Haunted pools of spooked keyboard, floating song and tumbling guitar-n-drum.